Light and colour

1903 lampshade panel for Hill House, Helensburgh (V&A T.66-1953)
At the darkest time of year, it’s interesting to think about how much of a luxury artificial lighting was until the late nineteenth century, and the way that different forms of  lighting affected fashionable dress and interiors. Candles, oil lamps and gas lights all create a golden glow which would make medium-toned fabrics look richer. The flicker of candles would highlight surface trimmings – and jewellery of course. The electric bulbs introduced from the 1880s gave a clearer light which was thought to be unflatteringly harsh for women’s complexions (given that makeup was not normally worn). However they allowed subtle pastel shades – especially pale yellow – to be more widely used. ‘Electroliers’ presented designers with new opportunities, inluding the use of fabric shades rather than the non-flammable glass globes used for gas. Charles Rennie Mackintosh’s stark all-white interiors were softened by textiles designed by his wife Margaret Macdonald – including lampshades  with delicate applique and beaded braid.
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3 Responses to Light and colour

  1. Jane Charles says:

    Is it only me that thinks this would make a great skirt or tunic?! Might just have a go myself…..

    • Clare says:

      Jane, I think that’s a great idea! Velvet ribbon for the lines, and silk applique roses – but perhaps not with translucent ground fabric! I’d love to see a skirt made from this design, do post!

  2. Jane Charles says:

    Fab, thanks for the encouragement! I’ll have a go when I’ve got a moment 🙂

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