![\"\"](\"https:\/\/clarerosehistory.com\/blog\/wp-content\/uploads\/2013\/06\/boue-dinner-min.jpg\" "\\"boue")
<\/a>Dinner dress by Boue Soeurs, 1900<\/p><\/div>
\nAt the time of year when all the Fashion and Textile courses are exhibiting graduates’ work, it’s good to think about the history of fashion promotion. One of the major attractions of the international exhibitions held around the world from 1851 onwards was the opportunity to view new styles in dress – worn by the illustrious ladies and gentlemen at the opening ceremonies, on the bodies of the international visitors, and in the displays. At the Exposition Universelle in Paris in 1900 there was a whole building devoted to fashion, sponsored by the Collectivite de la Couture, the trade body of Paris Haute Couture. This contained large vitrines with staged scenes inhabited by figures with realistic wax heads – some of them portraits of the designers themselves. Visitors could linger over the details of elaborate toilettes for the ballroom or for presentation at Court – garments that would normally only be seen by those present at these exclusive events, or by those involved in the making. For those unable to visit, there were many illustrated review articles and guidebooks, including a lavish volume with hand-coloured illustrations of dresses from the Collectivite.<\/p>\n","protected":false},"excerpt":{"rendered":"
At the time of year when all the Fashion and Textile courses are exhibiting graduates’ work, it’s good to think about the history of fashion promotion. One of the major attractions of the international exhibitions held around the world from … Continue reading