{"id":42,"date":"2010-11-18T05:27:22","date_gmt":"2010-11-18T05:27:22","guid":{"rendered":"http:\/\/clarerosehistory.com"},"modified":"2019-06-21T17:57:13","modified_gmt":"2019-06-21T17:57:13","slug":"home","status":"publish","type":"page","link":"https:\/\/clarerosehistory.com\/blog\/home\/","title":{"rendered":"CV and information"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/clarerosehistory.com\/blog\/wp-content\/uploads\/2010\/11\/P1030941-e1294570546329.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" title=\"P1030941\" src=\"https:\/\/clarerosehistory.com\/blog\/wp-content\/uploads\/2010\/11\/P1030941-e1294570231511-266x300.jpg\" alt=\"\" width=\"266\" height=\"300\" \/><\/a><\/p>\n<p>Dr Clare Rose is a historian of fashion,\u00a0\u00a0textiles and\u00a0 childhood, specialising in Britain from 1750-2000, with over twenty years of experience. She is an expert in communicating history in ways that are relevant and lively, using artefacts, images, texts and music. Her research is published in books, journal articles, exhibitions, lectures, and press interviews. She is fluent in French, Italian and German and in touch with the leading scholars in Europe and North America.<\/p>\n<ul>\n<li>I give popular lectures on fashion and design for the V&amp;A Museum and private groups<\/li>\n<li>I am a university lecturer with 20 years of experience<\/li>\n<li>From 2012-19 I was Senior Lecturer in Contextual Studies for the BA Hons in Hand Embroidery at the Royal School of Needlework<\/li>\n<li>I collaborate on exhibitions with institutions like the V&amp; A, State Museums Berlin, and the Women&#8217;s Library<\/li>\n<li>I have\u00a0been interviewed\u00a0on <em>The Great British Sewing Bee<\/em>, BBC Radio 4 <em>Today <\/em>and <em>Woman&#8217;s<\/em> <em>Hour<\/em>, and my research has been featured in the national press<\/li>\n<li>I\u00a0have published several books and numerous academic articles, and have also written on design for newsstand publications<\/li>\n<li>My research projects are supported\u00a0by\u00a0governmental and charitable grants<\/li>\n<\/ul>\n<p>Areas of expertise include:<\/p>\n<ul>\n<li>fashion history &#8211; especially the Art Nouveau period<\/li>\n<li>history of shopping &#8211; especially early mail-order catalogues<\/li>\n<li>childhood history &#8211; how expectations and practices change<\/li>\n<li>quilt history &#8211; especially the links between America, Britain and Europe<\/li>\n<li>ethical fashion &#8211; its origins and current issues<\/li>\n<li>world textiles &#8211; traditional techniques and modern design<\/li>\n<\/ul>\n<p>I\u00a0am available for lectures, research projects, and collaborations.<\/p>\n<p><strong>Qualifications<\/strong><\/p>\n<p>2006\u00a0 University of Brighton: PhD, <em>Boyswear and the formation of gender<\/em> <em>and class identity in urban England, 1840-1900<\/em><\/p>\n<p>1988\u00a0 Museums Association: Museums Diploma<\/p>\n<p>1983\u00a0 New York University:\u00a0M.A. in Art History and Museology<\/p>\n<p>1980\u00a0 St Hugh&#8217;s College, Oxford University:\u00a0B.A. in English<\/p>\n<p><strong>Funding Awards<\/strong><\/p>\n<p>2009 The Women\u2019s Library, London: Vera Douie Research Fellowship,\u00a0\u2018The Politics of Appearance: Feminist dress in the 1970s\u2019<\/p>\n<p>2008\u00a0 Pasold Research Fund: Prize for best article in <em>Textile History<\/em><\/p>\n<p>2000\u00a0 Pasold Research Fund: Grant for PhD<\/p>\n<p>1999\u00a0 Arts and History Research Board: Research studentship for PhD<\/p>\n<p>1980\u00a0 Tuition fellowship, Institute of Fine Arts, New York University<\/p>\n<p><strong>Peer Esteem<\/strong><\/p>\n<p>2011 Fellow of the Higher Education Academy<\/p>\n<p>2009 Honorary Fellow, Centre for the Study of Childhood and Youth, University of Sheffield.<\/p>\n<p>2008 Associate Fellow, International Quilt Study Center, University of Nebraska<\/p>\n<p>2006 Steering Group, Fashioning an Ethical Industry<\/p>\n<p>2000\u00a0 Keynote Speaker, <em>18<sup>th<\/sup>Century Clothing, Revealing Fashions<\/em>, Colonial Williamsburg<\/p>\n<p>1999 Member, Centre International d\u2019Etude des Textiles Anciens, Lyon<\/p>\n<p><strong>Employment <\/strong><\/p>\n<p>2009 &#8211; \u00a0\u00a0\u00a0\u00a0\u00a0 V&amp;A Museum:\u00a0Lecturer in Design History<\/p>\n<p>2012 &#8211;\u00a0 19\u00a0 The Royal School of Needlework: Senior Lecturer in Contextual Studies<\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Women&#8217;s Library, London Metropolitan University: Exhibition Researcher, &#8216;All Work and Low Pay: the Story of Women and Work&#8217;<\/p>\n<p>2009-13\u00a0 \u00a0Open University: Lecturer, MA and BA Humanities<\/p>\n<p>2009-11\u00a0\u00a0 Bath Spa University:\u00a0Lecturer, MA and BA Design<\/p>\n<p>2008-10 \u00a0 Middlesex University:\u00a0Lecturer, Visual Culture<\/p>\n<p>2008-11\u00a0\u00a0 Cavendish College London: Lecturer in Sustainable Design<\/p>\n<p>2007-08 \u00a0 Independent:\u00a0Post-doctoral researcher<\/p>\n<p>2003-06\u00a0\u00a0 Chelsea College of Art:\u00a0Lecturer,\u00a0Design Theory<\/p>\n<p>1997-02 \u00a0 Winchester School of Art: Lecturer,\u00a0History of Design<\/p>\n<p>1995-02\u00a0\u00a0 Open University:\u00a0Lecturer,\u00a0History of Art<\/p>\n<p>1989-91\u00a0\u00a0 Prospect Art Tours:\u00a0Tour Leader and Developer<\/p>\n<p>1988-02\u00a0\u00a0 Freelance: Lecturer in History of Art &amp; Design<\/p>\n<p>1983-88 \u00a0 York Castle Museum: Keeper of Textiles<\/p>\n<p>1983\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Intern, Medieval Department, Metropolitan Museum of Art<\/p>\n<p>1982\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Research Assistant, &#8216;Masterpieces of Ivory&#8217;, Walters Art Gallery<\/p>\n<p>1979-80\u00a0\u00a0 Conservation Intern, Burrell Collection Glasgow<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr Clare Rose is a historian of fashion,\u00a0\u00a0textiles and\u00a0 childhood, specialising in Britain from 1750-2000, with over twenty years of experience. She is an expert in communicating history in ways that are relevant and lively, using artefacts, images, texts and &hellip; <a href=\"https:\/\/clarerosehistory.com\/blog\/home\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages\/42"}],"collection":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":19,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":1865,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages\/42\/revisions\/1865"}],"wp:attachment":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/media?parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}