{"id":250,"date":"2011-01-03T21:02:15","date_gmt":"2011-01-03T21:02:15","guid":{"rendered":"http:\/\/clarerosehistory.com\/"},"modified":"2025-10-17T10:52:11","modified_gmt":"2025-10-17T10:52:11","slug":"publications-articles-journalism-and-media","status":"publish","type":"page","link":"https:\/\/clarerosehistory.com\/blog\/publications-articles-journalism-and-media\/","title":{"rendered":"Articles, Journalism and Media"},"content":{"rendered":"
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‘John Noble’s 10\/- Model Costumes’ (c) The National Archives, Copy1 127\/144<\/p><\/div>\n

Books:<\/span><\/strong><\/p>\n

2014\u00a0\u00a0\u00a0 Art Nouveau Fashion<\/em> (London: V&A Publishing)<\/p>\n

2011\u00a0\u00a0\u00a0 Editor and author (with Vivienne Richmond), Clothing, Society and Culture <\/em>(London: Pickering & Chatto)<\/span><\/p>\n

2010\u00a0\u00a0\u00a0Making, Selling and Wearing Boys\u2019 Clothes in late Victorian England<\/em>, Ashgate<\/span><\/p>\n

1989\u00a0\u00a0\u00a0 Children\u2019s Clothes Since 1750<\/em>, B T Batsford, London<\/span><\/p>\n

Selected academic articles:<\/span><\/strong><\/p>\n

2024\u00a0\u00a0\u00a0\u00a0 \u2018Copyist or Creative? The Emergence of the Woman Fashion Artist in Britain, 1880\u20131920\u2019, Journal of Design History<\/em> 37(2), 103-120, Oxford University Press, 2024\/6<\/p>\n

2024\u00a0\u00a0\u00a0\u00a0 \u2018Concepts of place in British womenswear advertising, 1880\u20131914\u2019, History of Retailing and Consumption<\/em> 10(1), 1-20. https:\/\/doi.org\/10.1080\/2373518X.2024.2309785<\/a><\/p>\n

2024\u00a0\u00a0\u00a0\u00a0 Aude Le Guennec and Clare Rose. \u2018Children’s clothing collections, problems and perspectives. A case study of French and British Museums.\u2019 In Situ. <\/em>Revue des patrimoines <\/em>52: 1-23.<\/p>\n

2023\u00a0\u00a0\u00a0\u00a0 \u2019L\u2019uniformit\u00e9 sans uniformes : l\u2019habitus de l\u2019\u00e9cole \u00e0 la fin du XIXe si\u00e8cle en Angleterre\u2019. In Aude LeGuennec and Nicolas Coutant (eds.), S\u2019habiller pour l\u2019\u00e9cole<\/em>, Exhibition Catalogue, Mus\u00e9e national de l\u2019\u00e9ducation (Muna\u00e9), Rouen. (Poitiers: Editions Canop\u00e9).<\/p>\n

2023\u00a0\u00a0\u00a0\u00a0 “Women’s Ready-to-Wear Multiple Retailers 1860-1914: H.J. Nicoll and Alfred Stedall”, Textile History<\/em> Volume 52:1-25.<\/p>\n

2019\u00a0\u00a0\u00a0\u00a0 “The Fashion Trade in First World War France,” The Journal of Dress History<\/em>, Volume 3, Issue 1, Spring 2019:53-74.<\/p>\n

2018\u00a0\u00a0\u00a0\u00a0 \u2018Textiles and Texts: Sources for studying 18th Century Quilted Petticoats\u2019 in Sabine de G\u00fcnther & Phillipp Zitzlsperger (eds.) Signs and Symbols – Dress at the Intersection between Image and Realia<\/em> (Munchen: De Gruyter :89-114)<\/p>\n

2016\u00a0\u00a0\u00a0 \u2018\u201dRough Wolves in the Sheepcote\u201d: the meanings of colour in fashion, 1908-14\u2019, in Jonathan Faiers and Mary Westerman, Colors in Fashion <\/em>(London: Bloomsbury: 155-68)<\/p>\n

2015\u00a0\u00a0\u00a0 \u2018Age-related clothing codes for boys in Britain, 1850\u20131900\u2019, Critical Studies in Men\u2019s Fashion <\/em>2(2-3):127-42<\/p>\n

2014\u00a0\u00a0\u00a0 \u2018Evaluating the Manufacturing and Retailing Practices of H.J. and D. Nicoll Through a c1860 Boy\u2019s Suit\u2019, Textile History<\/em> 45(1): 100-119<\/span><\/p>\n

2013\u00a0\u00a0\u00a0 \u2018The morals of language on slogan T-shirts\u2019, interview in Stephanie Talbot, Slogan t-shirts: Cult and culture <\/em>(London: A. & C. Black), pp.66-8<\/span><\/p>\n

2013\u00a0 \u2018Working lads in late-Victorian London\u2019, in Nigel Goose and Katrina Honeyman (eds.) Childhood and Child\u00a0Labour in Industrial England – Diversity and Agency 1750-1914<\/em>, Ashgate, Farnham, pp.297-314
\n<\/span><\/p>\n

2011\u00a0\u00a0\u00a0 \u2018Continuity and Change in Children\u2019s Clothing, 1885-1920\u2019, Textile History <\/em>42\/1, pp.145-161<\/span><\/p>\n

2011\u00a0\u00a0\u00a0 \u2018What was uniform about the fin-de-si\u00e8cle sailor suit?\u2019\u00a0 Journal of Design History,<\/em> 23\/2, pp.105-124<\/span><\/p>\n

2010\u00a0 \u00a0 \u2018Professional Quilters in Colonial-Era London\u2019, in Spike Gillespie (ed.), Quilts Around\u00a0the World<\/em>, Voyageur Press<\/span><\/p>\n

2009\u00a0\u00a0\u00a0 \u2018Advertising Ready-Made Style: The Evidence of the Stationers\u2019 Hall Archive\u2019, Textile History<\/em> 40\/2, pp.185-201<\/span><\/p>\n

2009\u00a0\u00a0\u00a0 \u2018Exhibiting Knowledge: British Inlaid Patchwork\u2019, \u00a0in\u00a0\u00a0Dagmar Neuland-Kitzerow (ed.), Fabric Intarsia in Europe from\u00a01500 to the Present Day, <\/em> Museum Europ\u00e4ischer\u00a0Kulturen, Berlin, pp. 87-98<\/span><\/p>\n

2008\u00a0\u00a0\u00a0 \u2018Raggedness and Respectability in Barnardo\u2019s Archive\u2019, International Journal of Childhood in the Past <\/em>1\/1, pp. 136–50<\/span><\/p>\n

2007\u00a0\u00a0\u00a0 \u2018Bought, Stolen, Bequeathed, Preserved: Sources for the study of eighteenth-century <\/span>petticoats\u2019, in Maria Hayward (ed.), Textiles and Text: Re-establishing the links between archival and object-<\/em><\/span>based research<\/em>,\u00a0Archetype Publications, London, pp. 114-21<\/span><\/p>\n

2007\u00a0\u00a0\u00a0 \u2018\u2018The novelty consists in the ornamental design\u2019: Design innovation in mass-produced <\/span>boys\u2019 clothing, 1840-1900\u2019, Textile History<\/em> vol. 38\/1 pp. 1-24<\/span><\/p>\n

2003\u00a0\u00a0\u00a0 \u2018Alla ricerca della cenciosita\u2019 (\u2018In search of raggedness\u2019), in Tiziano Bonazzi (ed.), Riconoscimento ed <\/em><\/span>Esclusione,<\/em> Carocci Editore, Rome, pp. 157-180<\/span><\/p>\n

Selected journalism and media appearances<\/span><\/strong><\/p>\n

2021 \u00a0\u00a0 The Great British Sewing Bee, <\/em>BBC 2: interview about historic romper suits<\/p>\n

2015\u00a0\u00a0\u00a0 \u2018\u201dI was a different person yesterday\u201d, Alice in Wonderland and fashion\u2019, Financial\u00a0\u00a0\u00a0 Times Weekend<\/em>, 11 April 2015, p4<\/p>\n

2014\u00a0\u00a0\u00a0 The Great British Sewing Bee, <\/em>BBC2: interview about historic sailor suits<\/p>\n

2013\u00a0\u00a0\u00a0 The Great British Sewing Bee, <\/em>BBC2: interview about historic dressmaking<\/p>\n

2012\u00a0\u00a0\u00a0\u00a0 \u2018All Work and Low Pay\u2019, feature, Today<\/em>, BBC Radio 4, 2-1-2012<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0 ‘Dr Barnardo as a Philanthropist’, interview,\u00a0How New is the New Philanthropy<\/em> (presenter: Professor Hugh Cunningham) BBC Radio 4, 19-12-2011<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0 \u00a0 ‘A Hundred Years of Women’s Magazines’, interview, Today<\/em>, BBC Radio 4, 4-11-11<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0 \u2018The Politics of Appearance\u2019, interview, Robert Elms Show<\/em>, BBC London, 21-01-10<\/span><\/p>\n

2009\u00a0\u00a0\u00a0\u00a0 \u2018The Liberation Look\u2019, Times Higher Education Supplement<\/em>, <\/span>http:\/\/www.timeshighereducation.co.uk\/story.asp?sectioncode=26&storycode=409273&c=1<\/span><\/a><\/p>\n

2009 \u00a0\u00a0 \u2018Elias Moses\u2019 Minion of the Million\u2019<\/em>, Bodleian Library, John Johnson Collection Online Catalogue, <\/em><\/span>http:\/\/johnjohnson.chadwyck.co.uk\/home.do<\/span><\/a><\/p>\n

2009\u00a0\u00a0\u00a0 \u2018Imperialism and the sailor suit\u2019, Journal of Maritime Research (online), <\/span>www.nmm.org.uk<\/span><\/a><\/p>\n

2008\u00a0\u00a0\u00a0 \u2018A Brief History of the Garment Industry\u2019, <\/span>www.fashioninganethicalindustry.org<\/span><\/a><\/p>\n

2006\u00a0\u00a0\u00a0 \u2018Women still have to fight for room at the top\u2019, Larry Elliott, Business pages, The Guardian<\/em> <\/span>http:\/\/www.guardian.co.uk\/money\/2006\/nov\/27\/business.workandcareers<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Books: 2014\u00a0\u00a0\u00a0 Art Nouveau Fashion (London: V&A Publishing) 2011\u00a0\u00a0\u00a0 Editor and author (with Vivienne Richmond), Clothing, Society and Culture (London: Pickering & Chatto) 2010\u00a0\u00a0\u00a0Making, Selling and Wearing Boys\u2019 Clothes in late Victorian England, Ashgate 1989\u00a0\u00a0\u00a0 Children\u2019s Clothes Since 1750, B … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages\/250"}],"collection":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":22,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages\/250\/revisions"}],"predecessor-version":[{"id":1961,"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/pages\/250\/revisions\/1961"}],"wp:attachment":[{"href":"https:\/\/clarerosehistory.com\/blog\/wp-json\/wp\/v2\/media?parent=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}